{"id":1081,"date":"2025-02-26T09:16:13","date_gmt":"2025-02-26T09:16:13","guid":{"rendered":"https:\/\/www.antonioiaccarinoidelson.com\/?post_type=teaching&p=1081"},"modified":"2025-02-26T09:17:33","modified_gmt":"2025-02-26T09:17:33","slug":"workshop-on-theory-and-practice-of-elastic-tension-in-bogota-colombia","status":"publish","type":"teaching","link":"https:\/\/www.antonioiaccarinoidelson.com\/it\/teaching\/workshop-on-theory-and-practice-of-elastic-tension-in-bogota-colombia\/","title":{"rendered":"Workshop on theory and practice of elastic tension in Bogot\u00e1, Colombia"},"content":{"rendered":"

The project was organized by the Universitad Externado and the Museo de Arte Moderna de Bogot\u00e1 (MAMBO). The theory classes were open to a group of about 50 among students and mid-career professionals, while the practical workshop was restricted to 12 selected participants (50% master students in their 5th<\/sup> year).<\/p>\n\n\n\n

The goal was that of treating one of the three paintings by Luis Caballero composing the triptych \u201cPintura Anecd\u00f3tica\u201d. After the completion of the workshop, the participants to the practical sessions were able to treat the other two, using the experience and the materials provided.

The project was organized by the Universitad Externado and the Museo de Arte Moderna de Bogot\u00e1 (MAMBO). The theory classes were open to a group of about 50 among students and mid-career professionals, while the practical workshop was restricted to 12 selected participants (50% master students in their 5th<\/sup> year).<\/p>\n\n\n\n

The goal was that of treating one of the three paintings by Luis Caballero composing the triptych \u201cPintura Anecd\u00f3tica\u201d. After the completion of the workshop, the participants to the practical sessions were able to treat the other two, using the experience and the materials provided.<\/p>\n\n\n\n

https:\/\/www.uexternado.edu.co\/estudios-del-patrimonio-cultural\/externadistas-desarrollan-nuevas-tecnicas-para-la-conservacion-de-piezas-historicas\/?sfnsn=scwspwa&fbclid=IwY2xjawImtvxleHRuA2FlbQIxMQABHXBonipV2p1BWTokGUXP0adOHGseZaTnyrX7jnqA-n2mS3rWIiBKTuy6WA_aem_C3dGowmydBs-egeWH49FCA<\/a><\/p>\n\n\n\n

Snapshots from the workshop<\/p>\n\n\n\n

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Installing the elastic tensioning system on the original stretcher.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

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<\/p>\n\n\n\n

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Defining the correct position of the stretcher on the painting.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

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Calculating the correct position of the edge lining.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

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Discussing the elastic response of the springs.<\/figcaption><\/figure>","protected":false},"featured_media":1082,"parent":0,"template":"","meta":{"_acf_changed":false},"category-teaching":[22],"class_list":["post-1081","teaching","type-teaching","status-publish","has-post-thumbnail","hentry","category-teaching-workshops"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.antonioiaccarinoidelson.com\/it\/wp-json\/wp\/v2\/teaching\/1081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.antonioiaccarinoidelson.com\/it\/wp-json\/wp\/v2\/teaching"}],"about":[{"href":"https:\/\/www.antonioiaccarinoidelson.com\/it\/wp-json\/wp\/v2\/types\/teaching"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.antonioiaccarinoidelson.com\/it\/wp-json\/wp\/v2\/media\/1082"}],"wp:attachment":[{"href":"https:\/\/www.antonioiaccarinoidelson.com\/it\/wp-json\/wp\/v2\/media?parent=1081"}],"wp:term":[{"taxonomy":"category-teaching","embeddable":true,"href":"https:\/\/www.antonioiaccarinoidelson.com\/it\/wp-json\/wp\/v2\/category-teaching?post=1081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}